I saw this at the London Film Festival in 1995 or 1996. The print had been lovingly restored from sections scattered around the world, including some from archives in Moscow. Somebody near me said "I'm really looking forward to this", which was understandable, since the director, as Michael Curtiz, later made some jolly swashbucklers and Casablanca, and the LFF had previously come up with several almost unknown silent masterpieces, including Jacques Feyder's Visage d'enfants. 　　Well, the pianist was superb and the voice-over translator (no time to translate the German titles) produced some splendid characterization. But about ten minutes in, people realised that the film was incredibly bad, and they didn't even know when it would be over as it hadn't been projected complete before. Watching it felt like existentialist hell. Which was fair enough as it's meant to be a study of sin and remorse. A young man is tempted by sex, drugs and stuff, but he falls asleep and dreams of the biblical story of the destruction of the cities of the plain, which are a bit like Vienna and populated by his low-life pals. When he wakes up, he repents. I think the sin stuff is meant to be alluring and you're meant to think that the director has been clever framing it in a moral tale. Instead, you get the idea that sin is a lot less interesting than, maybe, a novel by Jane Austen. 　　This epic Austrian production was credited to Michael Kertesz, who became better known as Michael Curtiz. It was also the screen debut of Walter Slezak. Mary Conway (Lucy Doraine) agrees to marry the wealthy Jackson Harber (George Reimers) to save her mother (Erika Wagner) from a forgery charge. She's really in love with Harry Lighton, a poor sculptor (Kurt Ehrle). At the engagement party, Lighton shoots himself, and Mary turns vindictive and cynical. She decides to make Harber's son, Edward (Slezak), fall in love with her and she succeeds. In an attempt to save Edward, his tutor (Michael Varkonyl) tells him the story of the queen of sin, who he compares to Mary. When this doesn't work, he goes to Mary and relates the story of Lot's wife. When Mary falls asleep, she dreams, in vivid cinematic detail, about the days of Sodom and Gomorrah, in which Lighton is Lot and she is his wife. When she wakes up, she calls off the wedding and goes to Lighton, who is recovering from his wound. Haber and his son reconcile. In its European release, this picture was 18 reels long; it was cut down to eight for release in the States, but the severe editing made the story disjointed and confusing.

短片没有一个明确的剧情，而是许多种意象的拼接，其中可以看到植物、动物、男女、自然地貌、摩托车骑士、飞蛾女人等疯狂的想象，他们代表着爱与恨、生命与死亡，并且他们都在疯狂之中奔向了自我毁灭的命运。 　　《La dernière orgie de Gomorrhe》est un court métrage d'animation indépendant que j'ai créé en 2019, a été entièrement réalisée par moi-même et a remporté le prix de la création pour la fin d’étude de l'Académie des beaux-arts de Guangzhou 2019. 　　Le court-métrage n'a pas d'intrigue claire, mais une épissure de nombreux types d'images. Vous pouvez y voir des imaginations folles de plantes, d'animaux, d'hommes et de femmes, de paysages naturels, de motocyclistes, de papillons, etc. Ils représentent l'amour et la haine, la vie et la mort. 　　Tout commence et se termine, et la vie finira par mourir. Lorsque le monde s'effondre, toutes les illusions qui font disparaître les yeux des aveugles, l'argent, la société, les contraintes et les valeurs ne sont plus importantes. La mort n'est peut-être pas la fin de tout. Au contraire, une meilleure compréhension de la mort peut nous faire affronter le monde réel, et si nous pouvons voir si clairement et de manière transparente, nous travaillerons ensemble, courageusement et garderons l'esprit clair, Pour faire face à la fin de la destruction.

本片呈现了一个电视满足所有欲望的未来社会。

１、２、３のところの解説にもはや付け足すものはない。第４作目。 　　ずっとラ・カメラでの上映会をおこなっている時期なので、月に一度は会っている。そんななかで立ちあらわれてくるのは「東京」という主題と「物語」という主題だろうか。

The fourth installment of the “Creed” saga.

１、２、３のところの解説にもはや付け足すものはない。第４作目。 　　ずっとラ・カメラでの上映会をおこなっている時期なので、月に一度は会っている。そんななかで立ちあらわれてくるのは「東京」という主題と「物語」という主題だろうか。

《瑪布隆的滋味》一劇，是講述一位阿美族知名主廚張芮Likat‧Cidal(楊晴飾)，在失去味覺、被男友劈腿拋棄後回到家鄉部落，該如何重拾自己對於原住民族身份的認同及自信心，更要好好找回被自己無情疏遠的閨蜜胡詠安Sanya‧‘Adingo (李宣榕飾)之間的友情。出生於花蓮馬太林部落的張芮，從小就愛待在很會煮美食的奶奶身旁問東問西，願望就是成為世界第一的大廚。張芮從小最好的玩伴就是胡詠安，兩人的族名恰好一位是光(Likat)、一位是影('adingo)，也因此讓她們倆成了如影隨形的閨蜜，但隨著張芮家庭離異後，搬到台北生活，就開始漸漸疏離了詠安。張芮在男友Eric(蔡侑勳飾)的餐廳擔任主廚，Eric從小含金湯匙出生，國外留學長大，政商關係也很好，但舌燦蓮花又愛拈花惹草。某天張芮失去味覺被Eric得知後，他就更加肆無忌憚的劈腿、偷吃，導致張芮只好傷心地放棄夢想、離開台北，回到部落尋找自我與詠安。

After the death of his brother Wago, Jian-Wa Chang now roams America's countryside while looking for his place in the world. He is hit by a van of two college students. Jian-Wa is taken in and nursed by Megan, a secluded artist. Jian-Wa is also visited by the ghost of Wago, who must act as an angel to Jian-Wa to gain acceptance into heaven. Meanwhile, the students from the hit-and-run plan to kill Jian-Wa so he doesn't talk to the police.

最近，TVB金牌监制梅小青透露《法证先锋》系列将会有第四部，令无数网友既期待又担心。